Remembering Pete Seeger

How does one describe Pete Seeger?

Pete Seeger - Lebanon (NH) Opera House. 12 September 2008. Photo by Amy J. PutnamI met Pete once, in 2008. I was working hospitality for a show in New Hampshire in which he played with Guy Davis and Tao Rodriguez-Seeger. My interaction with Pete was limited, but entirely memorable. He was in constant storyteller/historian mode. I met him in the wings of the stage, just after sound check. He walked over, we shook hands and I introduced myself, trying to keep cool. I mean, PETE SEEGER. I needn’t have worried as he was engaging and friendly without hesitation. I think he might have actually even introduced himself to me in case, you know, I didn’t know who he was. He then noticed the wall behind me, which was covered in writing, little anecdotes and notes and thoughts left behind by previous performers. Pete went right into a story about the oral history nature of these sorts of walls and places. Later on in the green room, I listened in for a few moments as he recounted more stories, more history to Guy Davis. In his late 80s then, Pete was very much sharp as a tack, and the treasure trove of information collected in his mind was clearly unparalleled. (some photos from this show are over on my photomonk.com site) Continue reading

Review: Silent Lessons by Sharon Goldman

What better way to start a new blog in a new year than with the very first CD I was sent in 2014? I was quite delighted to open my mailbox earlier this month to find the gift of Sharon Goldman‘s new CD, Silent Lessons. I had been seeing a lot of good chatter about this album from mutual friends on Facebook, so I was eager to hear it.

Sharon Goldman - Silent LessonsThe chatter is right – this is a very good album. A little shorter than most full length releases at just 8 tracks, it is still a deeply satisfying listen. Goldman’s voice is sweetly clear, her guitar playing is beautifully nuanced, and the songs tell well thought out stories. Continue reading